In this episode I’m joined by the highly accomplished Jacqueline Hellyer for an introduction to her vast array of great works and offerings and a discussion about the ways we can and should modernize goddess archetypes. She helps us bring deep ancient wisdom to the present within an educational framework that appeals to the experiences and sensibilities of modern people.
I am a Sex Geek – completely and unabashedly fascinated by sex, love and intimacy in all its aspects from the biological to the psychological to the spiritual. As well as an enormous amount of formal study, I’ve done masses of personal research, and most importantly I’ve spent many thousands of hours talking with people about sex and relationships – my private clients, participants in my workshops and retreats, mingling with people after giving presentations and media appearances and in the wider world.
There aren’t too many people in the world with this level of insight into what’s going on in people’s minds and bedrooms… I know what really does work and what doesn’t.
We live in a society that’s pretty screwed up sexually, so many people are confused, misinformed and struggling with their sexuality. Which is such a shame because sex is a celebration of life and our sexual energy is our life energy. So I’m here to be a ‘light in the darkness’ to help guide people to fulfill their sexual potential and experience all the love, connection and freedom that comes with a whole, healthy sexuality.
In this episode I’m joined by one of my favorite authors, Charles Eisenstein. After studying his books The Ascent of Humanity and Sacred Economics I’ve been deeply moved by the level of insight and analysis he provides. As tantra works to re-weave sacred sexual-spiritual unity, Charles’ work has been re-weaving the material and sacred realms by deconstructing patriarchal stories of separation, and providing road maps for more holistic value exchange rooted in ancestral wisdom.
It was a pleasure to explore topics of sacred sexuality and sexual healing with him, as the “oldest profession on earth” has become one of the most exploitative and desacrilized.
He paints an empowering vision for a future of sacred sexual economics. I was imbued with a compelling sense of awe, feeling a new flow of energy and hope that a globally integrated culture may well evolve to a high level of maturity.
In this episode I’m joined again by my dear tantric brother Lawrence Lanoff. He shares his epic romance with cryptocurrency and blockchain technology leading up to his role in the groundbreaking Token AI platform.
We discuss the potential for decentralizing sexuality with smart contracts, reputation algorithms, cryptocurrencies, and beyond. With healthy doses of techno-optimism and spiritual anarchism, we’re able to rejoice in visions of a sexier, freer, more abundant and accountable tantric future.
Lawrence is an award winning filmmaker, successful entrepreneur and early technology adopter who’s been investing in cryptocurrency since 2011.
He has directed and produced 11 feature films. Lawrence led a production team that won a Chicago Film Festival award and a United Nations Global 500 Award for writing and creating the documentary “We Can Make a Difference”.
Lawrence co-founded Lip Ink, generating upwards of $100mm in revenue and numerous product patents.
Lawrence is a best selling author, world renowned life coach, and was a featured expert in Neil Strauss’ New York Times Bestseller “The Truth”.
In addition, Lanoff has spent the last 15 years developing a new “theory of consciousness” that is an amalgamation of neuroscience and meditation. This unique perspective, when applied to machine learning, artificial intelligence and cryptocurrency, provides TokenAI valuable insights in product creation and development.
In this episode I’m blessed to have a guest spoken word piece by Richard Boase. Since receiving some seed funding in the form bitcoins earlier this year, I have been on a mission of painfully OVER-due diligence to catch up to the cryptocurrency revolution. It wasn’t clear to me until I discovered Richard’s article just how much of an intrinsic stake I’ve had in the game, and just how clueless I’d been over the last several years of bitcoin denial. In fact, my own punk and anarchist comrades of the crypto and cypher varieties had arguably already won the revolution in the early 90s that I’ve still been fighting in the streets for to this day. It’s taken this long for me and the rest of the code-illiterate world to slowy, and perhaps less profitably, join it.
I was infinitely grateful and intrigued to find Richard’s article because it puts it all into a riveting context and cuts through all of the financial speculative debate about bitcoin’s future, and sheds light on the radical and revolutionary spirit of the cause since the beginning.
Richard W. Boase, born a Shell Brat under the banner of a monstrous Corporate Petro-Empire in Brunei Dara’salaam on the island of Borneo in the late seventies, is the atypical son of English scholars of linguistics and mathematics and the grandson of allied warriors.
An Uber Taxi Driver working Old London’s winding back streets to scrape a living who once blazed electric live-wire voodoo visions amongst the hot neon jungle of Tokyo’s crazed architecture, he is now no more than a prescient listener and scribe, a tantric craftsman and guide in a global psyche-sphere where Crypto-Buddhist souls drift endlessly around the peer matrices of photovoltaic cells on Terra, Sol Galactica.
In this episode I’m joined by one of my favorite podcast hosts Lorenzo Hagerty of the Psychedelic Salon podcast. A dear friend turned me on to the podcast back in 2008, I binge listened to catch up and have been on board ever since. Lorenzo’s endearing charm, sharp wit, and scathing critiques of the dominator culture all all of its systems have made me a big fan of the show. It was a great honor to be able to explore the depth of his personal life journey and discuss an array of crypto-anarchist and techno-shamanic histories and futures. Finally, we compare notes and speculate on some of Terrence Mckenna’s attitudes towards psychedelics and tantric spirituality.
After our discussion, I include a spoken word piece I recorded called “McKennisms” which is my reading of several of my favorite Terence Mckenna quotes from the many lectures on the Psychedelic Salon that I’ve taken notes on over the years.
Lorenzo Hagerty is currently best known as the host of the Psychedelic Salon podcast. He came to podcasting through a circuitous route that included being a writer, keynote speaker, and Internet/e-Commerce consultant. He holds a Bachelor of Science degree in Electrical Engineering from the University of Notre Dame and a Doctor of Jurisprudence degree from the University of Houston. His eclectic career also included being a sailing instructor, Naval officer, hot air balloon pilot, electrical engineer, and lawyer. In August of 2017 he celebrated his 75th birthday.
In this episode I’m joined by my most revered shamanic practitioner Christina Pratt. I’ve diligently studied her podcast archive and found her to be without a doubt the foremost scholar of all things shamanic. I was delighted to have the opportunity to explore her personal background in more detail, to learn about the mechanisms of shamanic healing, and to take a sobering look at the epidemic of soul loss, its dire consequences, yet potentially simple solutions.
Thirty years ago with, a full cosmology of spirit help, Christina, brought forward The Cycle of Transformation, an extremely challenging, four-year training in the shamanic skills needed to create the New World in our time. She is the founder and primary shamanic healer at Last Mask Center (www.lastmaskcenter.org) in Portland, Oregon and the author of the two-volume set, An Encyclopedia of Shamanism. Christina’s international, live-Internet radio show, Why Shamanism Now, offers over 350 hours of free podcasts on the practical application of shamanism in the archives at (www.whyshamanismnow.com).
In this episode I share a piece I wrote that serves as a sort of guerrilla psychedelic research white paper. It is the most direct and concise articulation of my thesis:
Demons are invisible to the naked eye but exist as energetic parasites lurking all around us at all times
They are attracted by energy that’s released during sex, aggression, intimidation, fear, etc.
They enter into cracks in the protective shield of our auric field and chakra system caused by abuse, trauma, neglect, lack of adequate love, negative thought patterns, etc.
Acts of sexual manipulation, abuse, exploitation, and rape create opportunities for them to spread and infect souls, virgin souls are a delicacy for them
With varying degrees of conscious awareness from relatively benign ignorance, to sinister intentionality: sexual predators are being possessed by demonic entities
Surgical shamanic exorcism must be performed to remove them
In perpetrators with full blown infections, their demons have spread and gotten control of their nervous system
Victims have incubating infections that if disinfected, purified, and healed before they spread into the nervous system, can prevent neurosis and sexual pathology
Surgical shamanic exorcism when combined with certain psychedelic plant medicines, ceremonial ritual allows for the patient and/or shaman to see the infectious parasitic organisms as if with x-ray vision
Goddess-centered sacred sexual healing arts such as Tantra when applied in conjunction with psychedelic shamanic exorcism produces a positive synergistic effect whereby an erotic exorcism can be performed
Most traditional psychedelic shamanic healing ceremonies are inaccessible financially and geographically by the average American
Most Tantric “Dakas” (male sexual healers) and “Dakinis” (female sexual healers) are inaccessible financially by the average American
A “poor man’s” do-it-yourself-or-with-partners home-based procedure can be quickly, easily, and affordably trained for mass application with minimal risks and mild if any drug side-effects
In this episode I am joined by the highly accomplished adult entertainment industry attorney Corey D. Silverstein for a discussion on some best practices for porn production. I was very impressed by his passion, ferocity, and insight on a legal panel at the XBiz adult industry trade convention earlier this year. We met and spoke briefly at the event and I’ve been looking forward to exploring his wealth of knowledge ever since.
He shares some of his personal background and path to becoming an adult industry attorney, he then provides hard earned wisdom that will help keep new adult content producers and performers on the right side of the law. As more independent content creators enter the industry, this episode will hopefully serve as an empowering starting point for self-study. Ultimately Corey makes an eloquent and compelling case for why anyone involved in the industry should have competent legal representation and advisement every step of the way.
Corey D. Silverstein is the managing and founding member of the Law Offices of Corey D. Silverstein, P.C d/b/a/ Silverstein Legal. His practice focuses on representing many areas of the law that impact the adult industry. His clientele includes hosting companies, affiliate programs, content producers, payment processors, website operators, dating websites, webcam sites, traffic brokers, social media websites and performers, just to name a few. Mr. Silverstein regularly provides legal services related to: age verification and record keeping requirements (18 USC 2257), intellectual property (copyrights and trademarks), the Digital Millennium Copyright Act (DMCA), Section 230 of the Communications Decency Act, the Restore Online Shopper’s Confidence Act (ROSCA), Federal Trade Commission (FTC) compliance, first amendment / free speech, obscenity, corporate law, criminal defense, internet law, domain disputes and various other areas of the law. Mr. Silverstein is an acclaimed litigator and dispute resolution specialist. His practice also concentrates on complex contracts, business structure, and business formation. Mr. Silverstein prides himself in providing prompt and aggressive representation tailored to each of his clients’ individual needs. Mr. Silverstein is regularly featured in adult industry periodicals such as AVN and XBIZ and has been quoted and published in mainstream media including the New York Times, FOX News, MSNBC, the Miami Herald, the Washington Post, the Detroit News and the Associated Press. Mr. Silverstein is also a regular speaker at conferences throughout the world (United States, Canada, Colombia, Netherlands) and has made countless presentations related to topics and issues that affect the adult industry and online marketplace. Amongst his numerous professional affiliations, Mr. Silverstein is a member of the First Amendment Lawyers Association (FALA). Myadultattorney.com is a website dedicated to the representation of adult industry clientele. Mr. Silverstein can be reached through Myadultattorney.com or by email at firstname.lastname@example.org. Mr. Silverstein can also be contacted by telephone at 248-290-0655.
In this episode I’m joined by the vibrant and charming Robert Ozn. He is one of my dearest bisexual allies in the modern tantra movement. We have similar visions of an inclusive non-binary pansexual tantric future where infinite diversity can be expressed and cherished within the fellowship of sex positive spiritual seekers. We learn about his outstanding career in the music and film industries, how he has explored and evolved his sexuality and relationship styles, and how he has been of service to the often still marginalized bisexual community.
Here is his ground breaking and genre defining electronic music video:
Here is his current music bio:
After a 26-year absence, L.A. based DaDa NaDa’s comeback record Je Suis Paris/I Am Orlando, a tribute to victims of terror, hit #13 on the U.K.’s Music Week Dance Chart in October 2016. Released on his own label, DaDa Nada Records and featuring his huge, impassioned vocal range, Je Suis Paris/I Am Orlando, was a staple that fall on four Gaydio (U.K.’s largest Internet radio station) programs and a huge banger in LGBTQ & straight clubs alike. “I’m humbled that with so many odds against it – no corporate money or promo machine – the track made it. I call it The Little Record That Could.”
DaDa NaDa’s follow-up, We Can Feel It, written & produced by DaDa NaDa and Steve White, with its first set of mixes by House of Virus (House), Mntna (Deep House) and Middle Eastern, Number One iTunes sensation Aman (Pop Mix), releases in September 2017. The lyrics reflect the mystical, spiritual aspects of love – a theme which DaDa NaDa’s ardently explores as he is an out bisexual, living a polyamorous lifestyle and has been a devoted student of eastern religious practices for most of his life.
Impassioned about LGBTQ rights and BiPride, he was an honored participant in the Obama Administration’s 2016 White House Briefing on Bisexuality and stands as the Chairperson of the Los Angeles Bi Task Force. In June 2017, LA Pride’s #ResistMarch featured him in a video shown to over 100,000 protesters, a first for a Bi+ leader in that event’s 45 year history.
DaDa NaDa – solo moniker for Robert Ozn – was a former Broadway actor and the vocal half of New York, 80s synth-pop duo EBN/OZN, early pioneers of the now commonplace elements of music sampling and white rap, who are widely credited as making the first commercially released and charted record ever made on a computer (a Firelight C.M.I.) in the USA, the self-written and produced Top 20 Billboard Club Chart AEIOU Sometimes Y, produced in 1982/1983 (Elektra), remixed by John Luongo. Garnering accolades from critics and fans alike, AEIOU shot him into bona fide rock stardom.
After an MTV and Top 40 Billboard Dance Chart follow up, Bag Lady, whose video starred Emmy and Tony Award winner, Imogene Coca, plus a Top 20 College Chart hit album Feeling Cavalier, EBN/OZN disbanded.
Under the alias DaDa NaDa, he first broke the Billboard Top Five in 1989; with the Hip-House hit Haunted House, remixed by Chicago based Mike Hitman Wilson. According to MTV News, it was the first House record by a white artist to ever cross over to a commercial chart in the United States. “The 80s/early 90s were a magical window when the U.S. music business’ racial barriers blurred. It was an amazing, creative time.”
The follow-up, Deep Love, remixed by the Godfather of House Frankie Knuckles & David Morales and Bad Boy Bill also a Top Five Billboard smash, turned him into a darling of the American and U.K. music press with Music Week Magazine covering him in a feature entitled The Wizard of Ozn. The Knuckles/David Morales mix featured that same sensual DaDa NaDa baritone on We Can Feel It. “Frankie had been supporting my music in the early days when I did eccentric rap/spoken word and to have him push me as a singer gave me a new level of confidence. I’ll always be grateful.”
More hits followed, but things went very wrong during his US tour that year – a shooting interrupted his show in Chicago and he started feeling a break from music was in order. That break lasted 26 years – working in the Hollywood film industry as a script analyst for major directors and film companies, as well as writing and producing films. “When I returned to music last year, I had no idea how I’d be received. I have to admit, I was trepidatious. But people – audiences, DJs, PDs – have been amazing – so welcoming, so warm and most important, they’re playing my music. I feel like I’m coming home.”
In this episode I feature a recent spoken word piece I recorded to document a peak erotic experience in the form of a tantradelic birthday party/ceremony that was organized for a dear beloved priestess. I introduce the piece with commentary that provides some background and offers a greater context for its political-ideological significance.